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Marianne Moore: Fort Greene's Poet in a Tricorn Hat

  • Writer: Marina Aris
    Marina Aris
  • Feb 11
  • 3 min read
Marianne Moore            Photo Credit: Poetryconnection
Marianne Moore Photo Credit: Poetryconnection

A note from our founder

Our sixth tribute goes to a poet who turned precision into a kind of magic — and who became one of Fort Greene's most recognizable residents in the process. Marianne Moore spent thirty-six years on the same Brooklyn block, and by the end of her life she was as famous for her tricorn hat as for her verse.


From Missouri to the Avant-Garde

Marianne Craig Moore was born on November 15, 1887, in Kirkwood, Missouri, and graduated from Bryn Mawr College in 1909. After moving to New York City, she quickly became a central presence in the modernist literary scene, eventually taking the helm of The Dial, one of the era's most influential literary journals, and editing it from 1925 to 1929. Her taste and judgment shaped the careers of writers around her nearly as much as her own poems did.


Thirty-Six Years on Cumberland Street

In 1929, Moore moved with her mother into a small apartment at 260 Cumberland Street in Fort Greene, Brooklyn, and stayed there for the next thirty-six years. Over that time she became one of the borough's most beloved eccentrics, a familiar sight around the neighborhood in her signature black tricorn hat, flowing cape, and silver hair worn in a neat braid. Brooklyn didn't just house Marianne Moore — it came to recognize her on sight.


A Poet Who Measured by Syllables

Moore's poetry was known for a precision that felt almost architectural: conversational on the surface, but built on a rigorously disciplined structure underneath. She helped pioneer syllabic verse, measuring her lines by syllable count rather than traditional metrical beats, and she filled her stanzas with unlikely material — animal facts, newspaper snippets, historical quotations — stitched together into something entirely her own.


Brooklyn's Poet Laureate of Pop Culture

Later in life, Moore became something rarer still for a poet: a genuine pop-culture figure. She threw out the opening pitch for the Brooklyn Dodgers at Ebbets Field and wrote liner notes for Muhammad Ali's spoken-word album, moving as comfortably through ballparks and boxing as she did through literary journals. Her Collected Poems, published in 1951, swept the field entirely, winning the Pulitzer Prize, the National Book Award, and the Bollingen Prize in a single, remarkable year. She died on February 5, 1972.


Major Books & Collections


Poetry Collections

  • Poems (1921) — Her debut collection, published in London without her knowledge by her friends H.D. and Bryher, which instantly established her sharp, unique voice.


  • Observations (1924) — Her first official American publication, featuring early masterpieces like "Poetry" (famous for its opening line: "I, too, dislike it") and "An Octopus."


  • The Pangolin and Other Verse (1936) — A collection highlighting her fascination with the natural world, using detailed, intricate observations of animals as metaphors for human morality.


  • What Are Years (1941) — Published as World War II began, featuring deeply moving poems on courage, mortality, and spiritual fortitude.


  • Collected Poems (1951) — The definitive, award-winning volume that brought together her life's work and earned her the Pulitzer Prize.


  • O To Be a Dragon (1959) — A later, whimsical collection featuring "Hometown Piece for Messrs. Alston and Reese," dedicated entirely to her beloved Brooklyn Dodgers.


Prose & Translations

  • The Fables of La Fontaine (1954) — Her decade-long project translating all 241 verse fables of the French master Jean de La Fontaine into English.


  • Predilections (1955) — A collection of her literary essays and reflections on contemporaries like T.S. Eliot, Ezra Pound, and Wallace Stevens.


READ MOORE


Start with Collected Poems for the full arc of her career, or seek out "Poetry" on its own if you want the single best introduction to how her mind worked. Either way, you'll understand why a poet this exacting could also be, in her own eccentric fashion, one of Fort Greene's favorite neighbors. Get the book.







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